This Poem was Submitted By: Annette L Cowling On Date: 2003-11-11 07:06:19 . . . Click Here To Mail this Poem to a Friend!

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Mirrors Have Memories

Maybe mirrors have memories And I should toss you out. I'm not sure what you have all seen, Maybe deaths and broken dreams. Your vintage charm from long ago Must be what attracted me so. But what sadness has gathered Like moss over ancient stones, And stares back at me  When I am the most alone? I never underestimate the power Of sadness, and its insane hold on me. Maybe mirrors have memories.

Copyright © November 2003 Annette L Cowling


This Poem was Critiqued By: Mell W. Morris On Date: 2003-11-30 15:54:14
Critiquer Rating During Critique: 9.93333
Annette: This is a lovely poem with a fascinating concept and one which I've never encountered before which makes it crisp and unique. This is basic free verse with some end rhymes, especially with the long O sound and a nice slant rhyme of seen/dreams. (I love slant rhymes). I will make a suggestion that I learned from a masterful poet: Never weaken your first line by using it as the title. So many of the masters' poems do exactly that but usually because the poets left their work untitled and editors or publishers placed the first line as the title. Whether you name it "Reflections" or "Imagery Memory" or a plethora of possibilities, save the wondrous phrase for the first line. "Maybe mirrors have memories .....exquisite... And I should toss you out. I'm not sure what you have (all) seen, Maybe deaths and broken dreams. Your vintage charm from long ago Must be what attracted me so." The mirror has witnessed all the bad times and by ousting it, you relieve yourself of the terrible memories. This notion carries great mystical depth for me. You mention "deaths and broken dreams", certainly painful events in the poet/narrator's life. I find the idea pleasing of the mirror's having vintage charm...this paints a picture in my brain of an old, antique mirror with elaborate framing, maybe scrollwork or curliques, etc. Even ready and poised to toss it out, you recall your initial attraction to the mirror. "But what sadness has gathered Like moss over ancient stones, And stares back at me When I am the most alone? I never underestimate the power ....great enjambment... Of sadness, and its insane hold on me. Maybe mirrors have memories." Very nice simile of sadness as moss on stones. The sad feelings, you tell us, occur from your mirror glance when you are "most alone" and that is a profound and realistic observation. Your entire poem is replete with the theme of sadness and you enhance that notion with the phrase: "I never underestimate the power of sadness and its insane hold on me." Many, many readers can relate to this. You end with the reiteration of the beginning line which is quite effective. This is an accomplished, deftly-penned poem which has enormous appeal for the reader (or for this one). There are twenty-four sibilant sounds...Sssssss....which provide euphony for my ears. The susurrant sounds are reminiscent of soft sighing, crying, and whispers of sadness. I have read this poem many, many times until it came up on my list and it has not lost its initial appeal or charm. That is indicative of a wonderful piece...that it retains its impact through repeated perusal. (It also pleases when read aloud). I hope you do not feel offended at suggestions but I like to offer options when I see them and also, I think the poem is nearly ready for publication. I would send it to a literary journal because it is of that ilk and albeit there is little if any remuneration, it is prestigious to be published therein. My best wishes for its success and I continue to be impressed with your poetic vision and subsequent delivery. Brava! Mell Morris


This Poem was Critiqued By: Joanne M Uppendahl On Date: 2003-11-21 22:59:05
Critiquer Rating During Critique: 9.91667
Annette: I can't resist this! I hope you will forgive me, but I'm going to make some suggestions for change, which I seldom do. I strongly feel that a poem belongs to its author, and as such, is that individual's unique expression. This one is so close to perfection - and it would not let me leave it and pass on without writing with candor to its author. Discovering a "new" poet (new to me) is one of life's great thrills. I found that irresistible something in your poem - maybe it's the melancholy or the rhythm of your voice - I don't know which. Here's my first suggestion: I think your first line below would make an exquisite title, because of its cadence - and the word "maybe." You let the reader ponder on this idea with this line, more so than with the original title. The faint suggestion, if you see what I mean, is more 'mirror-like' really. And then, beginning with the second line as first -- "And I should toss you out." ...could bring the reader to attention sharply. I love your addressing the mirror as "you" for it brings up all kinds of allusions, at least for this reader. The ideas coming streaming - toss out the "you" of the 'self' which reflected back, the 'other' or "deaths and broken dreams." I'm not sure what you have all seen, (I'm not sure of what you may have seen - ?) Maybe deaths and broken dreams. Your vintage charm from long ago Must be what attracted me so. As long as I've gone out on this limb to make suggestions, what about dividing the lines into quatrains? And ending with a final couplet? I might leave the reader dangling, and not repeat "Maybe mirrors have memories" if you do decide to use that first line as your title, and if you are interested in revising this way. See what you think. Here's how I visualized it while reading. Toss out these suggestions if they do not fit your vision for this piece. But what sadness has gathered Like moss over ancient stones, And stares back at me When I am the most alone? (deeping evocative) I never underestimate the power Of sadness, and its insane hold on me. Ending with the line above seems apropos as it is, in this reader's opinion, the most powerful of the work. I've enjoyed this piece immensely, and look forward to reading other poems you've written. All my best, Joanne
This Poem was Critiqued By: Sandra J Kelley On Date: 2003-11-19 16:46:24
Critiquer Rating During Critique: 9.23077
Annette what a poigent idea. I wonder if you could include some specifics. such as "Perhaps newly widdowed a woman adjusts the veil on her black hat.... or what ever sad memmories those mirrors may have seen. Sandra
This Poem was Critiqued By: Sean Donaghy On Date: 2003-11-13 14:43:25
Critiquer Rating During Critique: 8.85714
Annette - Fine, fine poetry! Citing the mirror as the repository of all of life's memories is certainly a unique and wonderful image. Your poem contains many great lines and pictures. My favorite: "I never underestimate the power/Of sadness and its insane hold on me." Not just memorable but profound! (just being picky...You don't need the comma after "...sadness...") Good work! Sean
This Poem was Critiqued By: Turner Lee Williams On Date: 2003-11-11 14:53:33
Critiquer Rating During Critique: 9.83333
Annette--Or should I just say "POET"! What a great piece! After reading it through a few times and checking the syllable count of your title (eight) I toyed with the idea of suggesting a Rondeau or do a real hack job and make it a Rondelet. As you might have already guessed, I changed my mind: This is no longer a critigue;Your poem does not need anything and least of all an "insane" suggestion from me! The descriptors and metaphors used throughout are past wonderful; they are chilling! What a superb simile(like moss over ancient stones-whew!). The couplets and rhyme schemes are just perfect. Do not, I repeat- do not touch/change a thing. This poem is truely one of the best I have read bar none(but who am I). One of our fellow TPler's put's it,"...in my humble opinion." Thanks for sharing your "creation" with us here at TPL. TLW
This Poem was Critiqued By: Claire H. Currier On Date: 2003-11-11 14:08:56
Critiquer Rating During Critique: 9.87500
Hi Annette....are younew to this link? If so welcome.......I do not recall reading your poetry before.....though I have more to read when I am finished here.....Just to let you know I critique from my heart.....the feelings and emotions you present to me is what I respond about.....I am not the critiquer who can help you to improve your work should it need it but I will honestly tell you how I feel about your work...I like the title for it not only reflects what one sees as one stands before a mirror but perhaps what one might feel within ones soul which is also reflected through ones eyes......good structure and nice word flow....I like the way you seem to be standing there talking to these vintage mirrors that have seen many lives come and go through their walls........not only do people stop and stand in the presence of a mirror to gather their own image but some just go about their work, pleasure and duty without giving the mirror a care and that to me is when I would wonder what this mirrow has indeed seen and heard....lets take it one step further.....heard for we all hear what is around us clearly enough.....I like the 'vintage charm from long ago' again reflecting character within this home, mirror and even in your ownlife to have been able to choose to stay there because of......and then we have the sadness that has settled within your own being, the loss and the pain, the suffering perhaps over the years that has reached your most inner parts and is reflected back to you in the mirror image of yourself.....nicely done poet.....a good read, reflecting one's life and hopefully a brighter future as well. Sadness does take hold, does not let go easily either......and reinforcing the mirror have memories in closing is well done too. Thanks for posting, sharing and being a part of this link. Be safe and God Bless, Claire
This Poem was Critiqued By: Joan M Whiteman On Date: 2003-11-11 13:58:18
Critiquer Rating During Critique: 1.00000
Annette - Well done! Here you exhibit the tersness and tightness I spoke about in my critique of "Soul Unattended." You say all that needs to be said, again, you create fine imagery and there is no superfluous language cluttering up thisd fine poem. Excellent work! Thank you. JW
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